{"id":40,"date":"2021-03-04T11:18:26","date_gmt":"2021-03-04T11:18:26","guid":{"rendered":"https:\/\/adnmbg.com\/?page_id=40"},"modified":"2021-04-12T12:37:07","modified_gmt":"2021-04-12T12:37:07","slug":"kritike","status":"publish","type":"page","link":"https:\/\/adnmbg.com\/en\/reviews\/","title":{"rendered":"Reviews"},"content":{"rendered":"
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\u2026 After a long break, Ensemble for Different New Music<\/em> has returned to stage in 2017, this time joined by young composers and pianists (Andrej Negi\u0107 and Dimitrije Beljanski are also participants in the Piano Sky). This revival was an ingenious way to join the 1970s and 80s with the 21st Century. The Ensemble is a school, an orchestra, a hippie commune, a source of enthusiasm and a pure joy of playing, all of this at the same time. We who love music are all incredibly happy that these wonderful people exist and play.<\/p>

Ivan Lon\u010darevi\u0107, 2020.<\/p>

\u2026 Titled as Serbian Minimalists<\/em>, the program included the works by composers of different generations whose work is using repetition as a central formal device. This, however, included completely different creative sensibilities: from strict, mechanical sound; and minimalist scheme of the rhythmical component of the work; to pieces with vocal elements; and to melodically monotonous, but with layered timbres of musical structures of almost orchestral proportions.<\/p>

... At the same time, always between pieces, we listened to a short and vivid story about the composition that will follow.<\/p>

Nata\u0161a Tasi\u0107, Ni\u0161 Music Festival, Serbia, 2019<\/p>

... this simultaneous concert of two very different groups (with only one thing in common \u2013 tendency toward music minimalism) reverberate even more. While Michael Nyman<\/strong> with his band is successfully exploring a number of melodic models of the past and present \u2013 from Mozart to Rock - Milo\u0161 Rai\u010dkovi\u0107<\/strong> and the Ensemble for Different New Music<\/strong>, of the Students\u2019 Cultural Centre from Belgrade, are ascetically meditating on vibraphone and similar instruments, almost enforcing a listening relaxation after the penetrating pulsations of Nyman\u2019s instruments.<\/p>

Music Biennale Zagreb, Croatia
Jagoda Martin\u010devi\u0107-Lipov\u010dan, 1979<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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... Twelve performers on six keyboards, a vibraphone and a marimba, have created soundscapes that enchanted the audience with hypnotic elegance as well as with refinement of musical forms.<\/p>

... A great applause to the ensemble that performed on the highest level, making it possible that a creative wealth of this musical style comes to full fruition.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\tAndreas K\u00f6the, International Festival of Minimal Music, Kassel, 2019\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u2026A fascinating concert marked the 40th<\/sup> anniversary of the Ensemble for Different New Music<\/em>. More than ten pianists on pianos, electric and electronic pianos, seated by two, even by three on each keyboard, performed works by Miroslav Savi\u0107 (a premiere of Euler Chord - Shepard Tones<\/em> and ABC Music<\/em> from 1980) and Milo\u0161 Rai\u010dkovi\u0107 (Waiting for C-A-G-E<\/em> from 2012 and Water Tones<\/em> from 1977). A concert hall fully packed with old and new fans greeted the return and revitalization of the Ensemble for Different New Music<\/em> - as well the presentation of a new CD by Savi\u0107, with ovations and long aplauses.<\/p>

Zorica Premate, Politika, Belgrade, 2018<\/p>

\u2026The program range of the concert given in Novi Sad by the Ensemble for Different New Music<\/em> included early works from 1970s as well as new compositions written over the past two years. This was an exciting presentation of the stylistic and expressive development of what we can call The Belgrade School of Minimalism<\/b>. This School is today, as well as during its beginnings, totally an equal to - and in close touch and resonance with - the dominant manifestations of this musical movement worldwide.<\/p>

B. Hlo\u017ean, Dnevnik, 2018<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u2026 Posle duge pauze vratili su se na scenu 2017. godine, priklju\u010dili mlade kompozitore i pijaniste da budu deo njihove ekipe (Andrej Negi\u0107 i Dimitrije Beljanski su \u010dlanovi Ansambla i u\u010desnici Klavirskog neba) i u\u010dinili da se na genijalan na\u010din spoje sedamdesete i osamdesete sa XXI vekom. Ansambl je u isto vreme \u0161kola, orkestar, hipi […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-40","page","type-page","status-publish","hentry"],"yoast_head":"\nKritike - Ansambl<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/adnmbg.com\/en\/kritike\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kritike - Ansambl\" \/>\n<meta property=\"og:description\" content=\"\u2026 Posle duge pauze vratili su se na scenu 2017. godine, priklju\u010dili mlade kompozitore i pijaniste da budu deo njihove ekipe (Andrej Negi\u0107 i Dimitrije Beljanski su \u010dlanovi Ansambla i u\u010desnici Klavirskog neba) i u\u010dinili da se na genijalan na\u010din spoje sedamdesete i osamdesete sa XXI vekom. 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